King Pong Dub System: Lakeshore Sound Clash cassette

25/06/2018

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C40 high bias pro-duped cassette. Envelope sleeve with fold-out poster.

$7 CAD (plus regional shipping). ORDER HERE.

Styles: Dub, post-punk, electronic funk, sampledelic
Sound similarities: Adrian Sherwood/New Age Steppers, Basement 5, 70’s dub sound systems meeting Bill Lazwell at the Cabaret Voltaire. The Scientist and Mad Professor living in the bush of ghosts.

Lakeshore Sound Clash is a paean to King Pong’s community of New Toronto. A culturally diverse neighbourhood divided along class lines by Lakeshore Boulevard placing industrial lots vacant due to toxic contamination, dive bars, sex clubs, knife and gun violence, and working class families in community housing on the north side, with yacht clubs, lawn bowling, and multi-million dollar waterfront homes just a few blocks away on the south side. Most emblematic of this divide was the recent Ontario election (that saw crypto-fascist stooge Doug Ford seated in power) where it was a close race between the diametrically opposed NDP and PC parties. America has Red and Blue states, New Toronto has Orange and Blue streets and those who voted for Ford walk shoulder to shoulder with those who’ll be most negatively affected. Already you can feel tensions rising.


INTERNATIONAL DEBRIS: Exteriors CD

27/04/2018

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Limited-run white CDr, hand stamped, numbered, in chipboard wallets with coloured decals.

Styles: Sound collage, ambient, musique concrete, electro-acoustic, electronica, drone
Similarities: FSOL’s abstract side, The Orb minus the beats, the Asphodel label’s Sombient compilation series, the spawn of Luc Ferarri and the Internet.

ORDER: $6.00 CAD (+ regional shipping rates)

International Debris is the musical project of Ross Baker, a genderqueer musician from the UK. Their music has encompassed various styles over various aliases, but generally falls into the category of sound collage, tying together acoustic and electronic instruments with field recordings and samples. Baker refers to their sound as ‘horizon music’, signifying a recurring theme of open space and a fascination with that which we only know from a distance.

The immersive sound-experience Exteriors was created over the years 2002 – 2018. While recording numerous albums during those years, Baker recorded a number of sound collages which didn’t fit in those collections. Over time, from these orphaned pieces, a cohesive album began to form organically.

Artist Statement:
Exteriors is an album I have been considering making for many years together, but never came together. Much of my music is about natural or surreal environments, but I have always wanted to create an album about an everyday town situation. This album compiles and reworks various attempts at creating this soundscape from the past fifteen or so years.”


SPUME: Tide/Fall cassette

23/04/2018

C90 high-bias tape, comes in printed envelope sleeve

Styles: Ambient house, shoegaze, dreampop, drone, ambient dub
Similarities: The smell of a ’90s dorm room, Seefeel, The Orb, Robin Guthrie producing a down-tempo FSOL track, sleeping in a washing machine on the gentle setting.

ORDER: $6.00 CAD (+ regional shipping rates)

 

SPUME is the ambient house project of producer Jakob Rehlinger (Heavy Moon, King Pong Dub System, etc). Taking a cue from a hype sticker on a Seefeel CD he saw when browsing in a record shop in the early ’90s (“The lovechild of My Bloody Valentine and Aphex Twin”), he blends dreamy synth pads, chilled-out beats and hazy ambient guitar loops to create a frothy, trance-inducing dreamscape.

Tide/Fall was recorded on the shores of Lake Ontario in the fall of 2017, wherein Rehlinger tried to emulate the natural sounds of a shoreline encroached with human activity.

Side B of the cassette features a 43-minute long drone version of the album (“Tide/Fall Dronly Mix”), which strips away the sound fx, beats and basslines leaving only the winding, ethereal guitar and deep synth drones.

 


Richmond Avant Improv Collective – 2CD

13/03/2018

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Double boutique numbered edition of “Communion” & “Il Delirio E La Mortalità Di Amore”. Lino printed outer sleeve, stamped inner envelopes, hand-stamped CD-Rs, full-colour insert/poster. 

ORDER: $11.99 CAD (plus regional shipping)

Two ecstatically mind-bending free-improv face-melters and esoteric soul-healers from RAIC (the Richmond Avant Improv Collective)—which features members of the category-4 noise-rock hurricane, Among the Rocks and Roots—in one 2-disc set.

Communion and Il Delirio E La Mortalità Di Amore are RAIC’s 3rd and 4th albums, respectively. Ranging from traditional free-jazz combo improvisations to distorted noise jams and lush, global drones, the two albums span an impressive breadth of vision as well as offering an eclectic, yet unified, listening experience.

RAIC is the Richmond Avant Improv Collective. Founded in Richmond, VA. in September 2015 the collective has turned into a group featuring founders Samuel Goff and Abdul Hakim-Bilal. The group expanded in late 2016 adding Erik Schroeder and Zoe Olivia Kinney. Laura Marina rounds out the group joining in early 2018. The group has remained active playing shows in the Richmond area and has recorded 4 full length albums with the first “Lovers Never Leave” appearing in March, 2017 on Pennsylvania’s Orb Tapes. “Love Lingers Like Poison In The Veins” followed in November 2017. The group plays multiple genres including avant garde, jazz, noise, post rock, classical, black metal, free jazz, film scores, etc. All of their performances whether live or in the studio are improvisational in nature sometimes structured based on mood or emotion and sometimes not. RAIC has been busy, simultaneously recording 4 albums the first of which “Symbiosis” will be released in April on Chicago’s Lurker Bias label. The other 3 albums “Gestalt”, “Multiplicity” and an unnamed film score album will be finished by summer 2018.

 


HEAVY MOON XII cassette

19/02/2018

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C46 high-bias cassette. Comes in envelope sleeve with colour insert card.
Release date: 2/19/2018

 

$6.00 CAD (+ regional shipping) order HERE
 
Styles: Space rock, prog, kosmische, psychedelic, krautrock, acid rock
RIYL: Pink Floyd, Hawkwind, King Crimson, Tangerine Dream, Popol Vuh 
Hitching a ride on the astral drift, Heavy Moon once again leaves the stratosphere in a trail of smoke on two side-long suites. Acid guitars orbit over kosmische synths and motorik rhythms while waves of fuzz crash upon alien shores.

 


PARTLI CLOUDI: Pet Smells cassette

25/01/2018

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C30, real time pro-duped high-bias cassette, urine tinted shell, insert card, dimebag of genuine pet hair to sniff whilst listening. 

6$ CAD (+ region shipping). Order HERE.

Styles: Psychedelic, sound collage, left-field hip-hop, trip-hop, musique concrete, cut-up, sampladelic

RIYL: De La Soul going lo-fi folk rock, Sunburned Hand of The Man with two turntables and a sampler, The Beatles’ White Album and Beach Boys’ Pet Sounds playing at the same time in different rooms, DJ Shadow falling far down a DMT rabbit hole

Periodically, Vancouver Island librarian Partli Cloudi emerges from the periodicals stacks and offers up another cut-up, broke-down, sideways look at the world through the textual magic of sound. Pet Smells finds PC stretching his muscles a little, in his words:

“I was purposely trying to tap into more of a Three Feet High and Rising meets Smiley Smile type of record, and questioning if humour and joy can have a place in music versus more ‘acceptable’ emotions like angst, sadness, and ironically… melancholy. I guess when i said ‘music’, i meant like boring indie/underground/experimental music… putting the mental back in experimental. Don’t quote me on that tho.”

Oops, quoted indeed, but we couldn’t have described this aural trip better ourselves.


GAD WHIP: Trapped In A Pin Hole Camera – cassette

16/01/2018

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C38, high-bias, pro-duped, printed envelope, colour insert card 
Styles: Post-punk, first wave industrial, dub, ranting street poet, trip-hop, psychedelic
RIYL: Cabaret Voltaire, Sleaford Mods, PiL, Crass if they had been technoheads, The Happy Mondays by way of Throbbing Gristle, the lovechild of The Fall and Underworld rotting in a rubbish tip
Order HERE. $6.00 CAD (+ regional shipping)

All day every day, making tomorrow seem like yesterday.

The musical ennoblement of the Big Time Television pirate music video channel in Max Headroom, GAD WHIP come on like a nightmare wedding of Mad Max and Bladerunner with their anarchistic trash heap of tripped-out industrial post-punk.

GAD WHIP are a quartet of non-hairy and also hairy freaks from various northern shitholes who present an ungrateful world with a very pleasing hodgepodge of high-energy, low-fidelity punky psychedelia and post-industrial musique concrète...” ~ Expletive Undeleted (read full story HERE)

Trapped In A Pin Hole Camera features the core trio of Amos, Bolam and Davies aided and abetted by Neil Campbell (Vibracathedral Orchestra, Astral Social Club etc), Paul Walsh (Smell & Quim, Foldhead etc), Jimbo Baxter (Freaks Union, The Fuckin’ Glorious etc), Eva Davies & Ryan Walker (both on extra guitar & bass duties). Recorded in several kitchens throughout the summer of 2017 in West Yorkshire, UK, with “one mic and a busking amp” the band claims, though the recording is by no means the lo-fi shambles that implies.

Gad Whip formed in the summer of 2014 and have since put out 4 tapes and a couple of EP’s (one of those being a 12” on ever/never records). Named after a murkily arcane North Lincolnshire ‘old religion’ ritual involving a long cattle whip being shaken above a priest’s head on Palm Sunday or something, Gad Whip are old enough to know better but they don’t.


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