Richmond Avant Improv Collective – 2CD



Double boutique numbered edition of “Communion” & “Il Delirio E La Mortalità Di Amore”. Lino printed outer sleeve, stamped inner envelopes, hand-stamped CD-Rs, full-colour insert/poster. 

ORDER: $11.99 CAD (plus regional shipping)

Two ecstatically mind-bending free-improv face-melters and esoteric soul-healers from RAIC (the Richmond Avant Improv Collective)—which features members of the category-4 noise-rock hurricane, Among the Rocks and Roots—in one 2-disc set.

Communion and Il Delirio E La Mortalità Di Amore are RAIC’s 3rd and 4th albums, respectively. Ranging from traditional free-jazz combo improvisations to distorted noise jams and lush, global drones, the two albums span an impressive breadth of vision as well as offering an eclectic, yet unified, listening experience.

RAIC is the Richmond Avant Improv Collective. Founded in Richmond, VA. in September 2015 the collective has turned into a group featuring founders Samuel Goff and Abdul Hakim-Bilal. The group expanded in late 2016 adding Erik Schroeder and Zoe Olivia Kinney. Laura Marina rounds out the group joining in early 2018. The group has remained active playing shows in the Richmond area and has recorded 4 full length albums with the first “Lovers Never Leave” appearing in March, 2017 on Pennsylvania’s Orb Tapes. “Love Lingers Like Poison In The Veins” followed in November 2017. The group plays multiple genres including avant garde, jazz, noise, post rock, classical, black metal, free jazz, film scores, etc. All of their performances whether live or in the studio are improvisational in nature sometimes structured based on mood or emotion and sometimes not. RAIC has been busy, simultaneously recording 4 albums the first of which “Symbiosis” will be released in April on Chicago’s Lurker Bias label. The other 3 albums “Gestalt”, “Multiplicity” and an unnamed film score album will be finished by summer 2018.





C46 high-bias cassette. Comes in envelope sleeve with colour insert card.
Release date: 2/19/2018


$6.00 CAD (+ regional shipping) order HERE
Styles: Space rock, prog, kosmische, psychedelic, krautrock, acid rock
RIYL: Pink Floyd, Hawkwind, King Crimson, Tangerine Dream, Popol Vuh 
Hitching a ride on the astral drift, Heavy Moon once again leaves the stratosphere in a trail of smoke on two side-long suites. Acid guitars orbit over kosmische synths and motorik rhythms while waves of fuzz crash upon alien shores.


PARTLI CLOUDI: Pet Smells cassette



C30, real time pro-duped high-bias cassette, urine tinted shell, insert card, dimebag of genuine pet hair to sniff whilst listening. 

6$ CAD (+ region shipping). Order HERE.

Styles: Psychedelic, sound collage, left-field hip-hop, trip-hop, musique concrete, cut-up, sampladelic

RIYL: De La Soul going lo-fi folk rock, Sunburned Hand of The Man with two turntables and a sampler, The Beatles’ White Album and Beach Boys’ Pet Sounds playing at the same time in different rooms, DJ Shadow falling far down a DMT rabbit hole

Periodically, Vancouver Island librarian Partli Cloudi emerges from the periodicals stacks and offers up another cut-up, broke-down, sideways look at the world through the textual magic of sound. Pet Smells finds PC stretching his muscles a little, in his words:

“I was purposely trying to tap into more of a Three Feet High and Rising meets Smiley Smile type of record, and questioning if humour and joy can have a place in music versus more ‘acceptable’ emotions like angst, sadness, and ironically… melancholy. I guess when i said ‘music’, i meant like boring indie/underground/experimental music… putting the mental back in experimental. Don’t quote me on that tho.”

Oops, quoted indeed, but we couldn’t have described this aural trip better ourselves.

GAD WHIP: Trapped In A Pin Hole Camera – cassette



C38, high-bias, pro-duped, printed envelope, colour insert card 
Styles: Post-punk, first wave industrial, dub, ranting street poet, trip-hop, psychedelic
RIYL: Cabaret Voltaire, Sleaford Mods, PiL, Crass if they had been technoheads, The Happy Mondays by way of Throbbing Gristle, the lovechild of The Fall and Underworld rotting in a rubbish tip
Order HERE. $6.00 CAD (+ regional shipping)

All day every day, making tomorrow seem like yesterday.

The musical ennoblement of the Big Time Television pirate music video channel in Max Headroom, GAD WHIP come on like a nightmare wedding of Mad Max and Bladerunner with their anarchistic trash heap of tripped-out industrial post-punk.

GAD WHIP are a quartet of non-hairy and also hairy freaks from various northern shitholes who present an ungrateful world with a very pleasing hodgepodge of high-energy, low-fidelity punky psychedelia and post-industrial musique concrète...” ~ Expletive Undeleted (read full story HERE)

Trapped In A Pin Hole Camera features the core trio of Amos, Bolam and Davies aided and abetted by Neil Campbell (Vibracathedral Orchestra, Astral Social Club etc), Paul Walsh (Smell & Quim, Foldhead etc), Jimbo Baxter (Freaks Union, The Fuckin’ Glorious etc), Eva Davies & Ryan Walker (both on extra guitar & bass duties). Recorded in several kitchens throughout the summer of 2017 in West Yorkshire, UK, with “one mic and a busking amp” the band claims, though the recording is by no means the lo-fi shambles that implies.

Gad Whip formed in the summer of 2014 and have since put out 4 tapes and a couple of EP’s (one of those being a 12” on ever/never records). Named after a murkily arcane North Lincolnshire ‘old religion’ ritual involving a long cattle whip being shaken above a priest’s head on Palm Sunday or something, Gad Whip are old enough to know better but they don’t.

Moonwood / Stargoon split tape



Split Infinities ,Volume 13 of our split tapes series, features two improvised, mind-melting, long-form psychedelic and kosmische odysseys by Toronto-based cosmic rockers MOONWOOD and STARGOON on sides 25 and 26 respectively.

Order HERE. $6.00 CAD (+ regional shipping)


Toronto psychedelic space-rock jam band MOONWOOD have been playing as a quartet since 2013 (husband and wife team Jakob Rehlinger, guitar/synths, and Jacqueline Noire, vocals/synths, backed by Matthew Fava, bass, and Luca Capone, drums). Their live shows consist of a few songs with standard verse/chorus structures, but also at least one extended mind-expanding and face-melting improvised jam. Though they’ve released some of these instrumental freak-outs on live mixtapes, “Cosmic Ghosts” is their first attempt to capture one of these singular experiences in the studio. Nine months pregnant with their baby, Jacqueline’s water actually broke while recording her overdubs for the track. Once her synth parts were duly completed, they called the midwife.


Named after an imaginary paint colour created by a neural network (it’s the same banal beige featured on the cassette’s J-card), STARGOON began as a collaboration between ambient droner Heraclitus Akimbo (aka sound archivist at the Mechanical Forest Sound blog, Joe Strutt) and Moonwood drummer, Luca Capone (who also records sound-collages as Radio Samson di Maria). On this 20-minute track, cobbled together from an hour’s worth of improvisations, they’re joined by Moonwood guitarist Jakob Rehlinger on bass who also recorded the session. Like the name STARGOON itself, “Bylfgoam Glosd” is taken from Janelle Shane’s AI’s list of paint names

Meadow Thrum Cassette Edition



This year we released Eiyn Sof‘s acid-folk tour de force Meadow Thrum on CD. It quickly sold out and we were pretty happy about that. But over the following months the nagging feeling that the album is too good to not be in print got to be overwhelming. Thus this new deluxe reissue was born. Limited to 50 copies, it comes in a special printed envelope with a full colour insert card.

You can order it HERE. ($6.00 CAD + regional shipping)

… an album pitched equidistant from full-out folk and mind-melting psychedelia. Meadow Thrum is a consistently riveting, occasionally confounding collection of escapist sounds and musical textures. File Meadow Thrum next to the most verdant and lush folk records or the most transcendent of alternative records in your collection; Eiyn Sof sits comfortably in both worlds.” ~ Dominionated

Radio Samson di Maria: Danger Everywhere cassette


C30, home duped, hand-stamped shells, $6 CAD (+ regional shipping)


Styles: Sound collage, cut up, vaporwave, noise, chiptunes
RIYL: 8-bit video game soundtracks, 70’s, 80’s, 90’s TV reruns, ADHD YouTube surfing, Throbbing Gristle doing Revolution #9

There is very little known about Radio Samson Di Maria, except that its “legend” is shrouded in mystery.

The only information ever found was found in an article*, written by Rubens Santiago, originally printed in the June 1993 edition of Lo Specchio Rotto, an underground horror/sci-fi/experimental music fan zine based out of Woodbridge, Ontario in the early ‘90s.

The story of Lo Specchio Rotto, whose name itself was considered to be a parody of Lo Specchio (an Italian-language weekly newspaper also based in Woodbridge), is something of a puzzle itself.

The zine lasted for only seven issues, focusing almost entirely on reviews on Italian horror films and prog rock, along with articles written about apparent “haunted houses” in and around the GTA, as well as reader’s letters detailing stories about strange oddities, supernatural encounters, and a recipe, a surprisingly good one at that, for Fegato alla Veneziana.

Lo Specchio Rotto vanished without explanation, with back issues nearly impossible to find. Coincidentally, the last issue printed is the same issue which featured the article on Radio Samson Di Maria…


Pirate radio station suspected of interfering with signals, graffiti, and possibly breaking and entering.

By: Rubens Santiago Local News
June 1993

After multiple complaints were made in recent weeks by listeners and radio station employees around Toronto about the interruption of radio signals with indiscernible speech, peculiar instrument noises, and distressed animal sounds, there appears to be evidence pointing towards the culprits.

Graffiti has been found on the walls underneath the bridge overlooking the Humber River, connecting Islington Ave. with Woodbridge Ave. The words “TUNE IN TO RADIO SAMSON DI MARIA” & “LISTEN EVERYWHERE, LISTEN FOREVER”, along with the call signs of several radio stations around the city (many of which had made complaints), were found printed in large, elaborate, gothic designs.

The unusual slogans haven’t been centralized to Woodbridge Ave. and Islington Ave. The appearance of similarly styled graffiti has been found inside churches, businesses and schools around town, though not depicted as flagrant as the graffiti underneath the bridge.

Citizens and police are completely baffled. The only possible link that can be connected is of recent reports regarding strange, static-sounding “music” coming from forested/ recreational areas scattered in different neighbourhoods around Woodbridge, including Airdrie Park, Boyd Park & Torii Park.

Time will only tell if the signal interruptions and graffiti will continue to appear.”

This was the first and last mention of the Radio Samson Di Maria until 2016, when local community radio aficionado, Curly Costinha, unearthed a cassette tape in the library of CJRU 1280AM, formerly CKLN 88.1 FM.

Labeled Radio Samson Di Maria – Danger Everywhere, this is a collection of sounds that possess a cultish devotion to blended layers of distorted news/cartoon samples, television/radio interviews, public broadcasting, and live music/field recordings. Cryptic overtones are aplenty; a deeper inspection of this cassette should be undertaken at your own discretion.

*As of 2017, multiple Toronto radio stations have denied any of the reports regarding signal interruptions in the summer of ’93. No photographic evidence of the graffiti was ever found, while the existence of Rubens Santiago is also completely limited to this singular article.

%d bloggers like this: