Releases Round-Up April 2019

23/04/2019

We’ve had a number of releases and pre-orders out since our last update. From kosmische drones to punk-dub to ecstatic free-improvisation and guitar noise, take a listen below.

Available on pre-order:

 

Released:

 

 


Colin Fisher & Mike Gennaro: Sine Qua Non

18/09/2014

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C50. high-bias tape. Custom envelope and 1″ button. Limited to 50 copies. ($7 plus regional shipping)


⇒CLICK HERE TO ORDER⇐


Released: 07 October 2014.
Free jazz sax/drums duo beating out five face-melting, brain-blowing freak jams.

Colin Fisher – alto saxophone
Mike Gennaro – drums

Recorded live in Toronto, March-May 2014

CALL IT: Free-jazz, post-bop, avant-garde, experimental, improvisation, fiery freak-outs, transcendental tripping.
SONIC COUSIN TO: Rashied Ali, Sam Rivers, Ornette Coleman, Pharoah Sanders, Sonny Rollins, Albert Ayler,  you know… that kinda thing.


UVESEN: III

26/08/2014

Uvesen III cassette

C44 high-bias tape. Encased in plaster bandages. Pull black tab slowly and hear. $7 (plus regional shipping)


⇒CLICK HERE TO ORDER⇐


Uvesen is a Norwegian duo of percussionist Børre Myklebust and the highly prolific Andreas Brandal who has been releasing challenging and transcendental music since 1994, racking up hundreds of releases over several projects. With Uvesen the two embark upon free-improv psych experimentation of the highest order. Deep majick drones and wild aural landscapes. Abstract, percussive textures and bowed strings mingle with wild freak-folk dances and expansive electric guitar.

This music is such a beast we had to encase it in plaster for your safety.

CALL IT: Drone, improvisation, psychedelic, no-wave, avant-garde, noise-ambient, free-jazz, freak-folk
SONIC COUSIN TO: Pelt, Coltranes Robbie and John, Don Cherry’s Pan-African and Cosmic eras, Ensemble Pearl [or other SunnO))) ambient side-projects], Fred Frith, Sir Richard Bishop, Flowers/Corsano, a general VHF records vibe. God literally whispering in your ear (but maybe not whispering nice things).


Beard Closet / Primate Pyramid (ADR split tape vol. 9)

31/10/2013

Beard Closet / Primate Pyramid split tape

Sides 17 and 18 of the Arachnidiscs Recordings Split Tape Series.

$7.00 Order Here

Toronto’s Beard Closet and Primate Pyramid administer 40 minutes of essential Skullflower-esque doom-gaze guitar improvisations. White noise bliss. Harmonic reverberations. Avant post-rock drone. Ambient guitar experimentation. Hypnagogic feedback dreams.

High-bias cassette tape. Gold cassette shells. Hand assembled, fur-covered cassette boxes.

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BABEL Heurter EP

09/04/2013

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27:32 mins // Pro CD-R, thermal print // Spray painted white digipak // Numbered edition of 25

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Three track EP of avant electric guitar improvisations. A prepared Fender Telecaster thwacked with mallets and layered with loop and delay effects. Recorded live, direct to two-track in late 2012 by Jakob Rehlinger.

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Split Tape Series #8: Chik White / Holiday Rambler

01/04/2013

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C50 // edition of 50 // pro-duped // DL code // glossy accordion fold insert // cloth bag with hand stamped product tag.

SOLD OUT!

Side 15 – Chik White: I Am Muck. You Are The Wind.

CHIK WHITE is the recording alias of Darcy Spidle, star and co-writer of the Canadian cult film, Lowlife, and the guy behind Canadian indie institution Divorce Records. Playing almost like a possible alternative soundtrack to Lowlife, I Am Muck sucks you into a starfish licking world of bizarr0 psych improvisations and avant soundscapes created from “experimental jews harp and acoustic guitar”. Exciting and fearless stream of consciousness music/noise/sound making—like the wind and tides blowing and flowing.

Side 16 – Holiday Rambler: It Lasted A Hundred Years, It Will Last A Hundred More.

“More like coal than gasoline”, HOLIDAY RAMBLER (aka D. Alex Meeks of Hooded Fang infamy) is one of those young men you meet where you simply know they have a time machine buried in their backyard. They’re just too comfortable wearing the attire and diction of yesteryear for it to be entirely an act. The title of this set of songs and sounds, It Lasted A Hundred Years, It Will Last A Hundred More, could be a reference to the timeless/old-timey nature of the Rambler’s American gothic folk-blues. Despite being a relatively young sprout, there’s a lot of gravelly down-home wisdom woven throughout the set of bluegrass and gospel informed tunes with a decidedly end-times feel. Kind of like a Smithsonian Folkways recording from the backwoods of Virginia in an alternate universe where the Great Depression never ended.

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Split Tape 9/10: AARON LUMLEY / THE KNOT

21/08/2012

Buy Aaron Lumley / The Knot tape now!

C40 // edition of 50 // pro-duped  // DL code included // hand-assembled window sleeves

SOLD OUT!

Side 9: Avant improv bassist Aaron Lumley has been making waves lately with his harrowing long-player Wilderness.  Of which Foxy Digitalis said “…searching for new methods to escape the limitations of technique, the human body, and the physical science of acoustics. By accomplishing this without straying beyond the boundaries of man and implement, he’s shown mastery of a vigorous beast, a task not for the faint of heart. Furthermore, the album is as appetizing for casual listeners as it is for serious improv mavens – a gravity-defying feat that is as rare as it is welcome!

We posit this improvised session goes one further, both visceral and teeming with expression in the traditions of Dave Holland and François Rabbath. Recorded by Matthew Dunn in Toronto who, in Lumley’s words, “brought the fuzz and grime to the fore.”

And we have to agree. In the middle ages, people were burned at the stake for playing music like this—he’s clearly possessed by some kind of demon.

Side 10: We’re pleased to present the debut release for The Knot, the duo of cellists Tilman Lewis and Nick Storring. With allegiance to both form and freedom, they embark on sonic explorations that draw on various folk traditions and experimental musics. The pair love to bend the instrument’s lyricism, drawing not so much on extended techniques as on an array of audacious contra-techniques: preparations/ apparati (practice mutes, hair-clips, clamps, wine corks, mallets, egg beaters, plectrums etc.). They still, however, permit the cello’s natural beauty to have its place.

Their large palette of sonorities is channeled and combined into single unified textures, and everything from improvised heterophony, to stark contrast.

Intertwining beauty and discord meeting somewhere between the gravel pit and the northern lights.


Aaron Lumley / The Knot split tape preview

02/08/2012

The first cassette of our SPLIT TAPES SERIES 2 is set to be released on 2012/08/21. 20 minute sides; pro-duped; hand assembled outer sleeves. Edition of 50. We don’t have pre-orders set up but if you want to reserve a copy, you should email arachnidiscs@hotmail.com to get put on a list.

Side 9 is avant improv bassist Aaron Lumley who’s been making waves lately with his harrowing long-player Wilderness.  Of which Foxy Digitalis said “…searching for new methods to escape the limitations of technique, the human body, and the physical science of acoustics. By accomplishing this without straying beyond the boundaries of man and implement, he’s shown mastery of a vigorous beast, a task not for the faint of heart. Furthermore, the album is as appetizing for casual listeners as it is for serious improv mavens – a gravity-defying feat that is as rare as it is welcome!” We posit this improvised session goes one further, both visceral and teeming with expression in the traditions of Dave Holland and François Rabbath.

Side 10 is the debut release for The Knot, a cello duo made up of composer/improviser Nick Storring and avant virtuoso Tilman Lewis. Intertwining beauty and discord meeting somewhere between the gravel pit and the northern lights.

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Espvall/Jakobsons/Szelag: Improvisations for Strings and Electronics

14/02/2012


Track #2: Fissure

CD. 5 tracks / 43:13 mins. Multi-layered handmade transparent outer-sleeve, lino-block printed envelope. Limited edition of 100.

Sold Out!

On the aptly titled Improvisations for Strings and Electronics, Marielle Jakobsons and Agnes Szelag (Myrmyr) team up with cellist Helena Espvall (of Espers) on a series of, you guessed it, improvisations for strings and electronics. Recorded in Oakland, CA, Jakobsons and Szelag created graphic scores for the occasion.

A little while ago Agnes asked me which bands I’d compare this album to. I couldn’t think of a single one. Not even the more classically oriented works of someone like Godspeed! You Black Emperor really come close.

What did immediately leap to mind were the string quartets of contemporary composers Gloria Coates, Morton FeldmanPer Nørgård, and Henryk Górecki. As well, some of the more challenging, discordant and visceral works of Arvo Pärt bear a similarity to the sinuous, winding melodies and stunning tonal landscape created here.

Ethereal and rapturous beauty tempered with sinister, creeping danger looming ominously in the shadows.

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Andy Futreal / Babel : Split tape series sides 7/8

28/06/2011


Andy Futreal / Babel (C-46) 2011. Deluxe cloth bag edition of 50 w/two full colour inserts. Free digital download link included. Loosely based around “Tectonic Disasters in Asia”, this is the first themed release in the split tape series.

Buy

$7.00 CAD (includes shipping)

Side 7: Andy Futreal — Night Train to Xi’an / For Wenchuan

A vivid soundscape travelogue collaged from field-recordings and performances recorded in China during. 2008-2010. Andy has created vivid journey out of everything from a metal dishrack to the ambient sounds of Zhengzhou train station and the overnight train from to Xi’an. A piano score is derived from Sichuan Wenchuan earthquake gravity wave traces mixed with edited VOA broadcast. A haunting tribute to a harrowing disaster. (www.myspace.com/andyfutreal)

Side 8: BabelMorpheum (1-4) / 4 Bowls / 4 Japan

Falling somewhere between the 20th century minimalists and the no-wave noise composers of the 1980s, Morpheum explores the tranquility and violence of dream states though a suite of duets and quartets for piano, mallet instruments, electric guitar and Taiko-inspired percussion. Languid, evolving melody lines sleepily weave through each other before cascading arpeggios awaken like a tsunami crashing through a nuclear reactor. Subtle and epic, peaceful and cacophonous, safe and perilous as an ocean or a dream.

Andy Futreal and Jakob Rehlinger (Moonwood) were  previously paired up on a split tape released by Folkwaste Recordings.


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