Styles: Dub, post-punk, electronic funk, sampledelic Sound similarities: Adrian Sherwood/New Age Steppers, Basement 5, 70’s dub sound systems meeting Bill Lazwell at the Cabaret Voltaire. The Scientist and Mad Professor living in the bush of ghosts.
Lakeshore Sound Clash is a paean to King Pong’s community of New Toronto. A culturally diverse neighbourhood divided along class lines by Lakeshore Boulevard placing industrial lots vacant due to toxic contamination, dive bars, sex clubs, knife and gun violence, and working class families in community housing on the north side, with yacht clubs, lawn bowling, and multi-million dollar waterfront homes just a few blocks away on the south side. Most emblematic of this divide was the recent Ontario election (that saw crypto-fascist stooge Doug Ford seated in power) where it was a close race between the diametrically opposed NDP and PC parties. America has Red and Blue states, New Toronto has Orange and Blue streets and those who voted for Ford walk shoulder to shoulder with those who’ll be most negatively affected. Already you can feel tensions rising.
All day every day, making tomorrow seem like yesterday.
The musical ennoblement of the Big Time Television pirate music video channel in Max Headroom, GAD WHIP come on like a nightmare wedding of Mad Max and Bladerunner with their anarchistic trash heap of tripped-out industrial post-punk.
“GAD WHIP are a quartet of non-hairy and also hairy freaks from various northern shitholes who present an ungrateful world with a very pleasing hodgepodge of high-energy, low-fidelity punky psychedelia and post-industrial musique concrète...” ~ Expletive Undeleted (read full story HERE)
Trapped In A Pin Hole Camera features the core trio of Amos, Bolam and Davies aided and abetted by Neil Campbell (Vibracathedral Orchestra, Astral Social Club etc), Paul Walsh (Smell & Quim, Foldhead etc), Jimbo Baxter (Freaks Union, The Fuckin’ Glorious etc), Eva Davies & Ryan Walker (both on extra guitar & bass duties). Recorded in several kitchens throughout the summer of 2017 in West Yorkshire, UK, with “one mic and a busking amp” the band claims, though the recording is by no means the lo-fi shambles that implies.
Gad Whip formed in the summer of 2014 and have since put out 4 tapes and a couple of EP’s (one of those being a 12” on ever/never records). Named after a murkily arcane North Lincolnshire ‘old religion’ ritual involving a long cattle whip being shaken above a priest’s head on Palm Sunday or something, Gad Whip are old enough to know better but they don’t.
Split Infinities ,Volume 13 of our split tapes series, features two improvised, mind-melting, long-form psychedelic and kosmische odysseys by Toronto-based cosmic rockers MOONWOOD and STARGOON on sides 25 and 26 respectively.
Toronto psychedelic space-rock jam band MOONWOOD have been playing as a quartet since 2013 (husband and wife team Jakob Rehlinger, guitar/synths, and Jacqueline Noire, vocals/synths, backed by Matthew Fava, bass, and Luca Capone, drums). Their live shows consist of a few songs with standard verse/chorus structures, but also at least one extended mind-expanding and face-melting improvised jam. Though they’ve released some of these instrumental freak-outs on live mixtapes, “Cosmic Ghosts” is their first attempt to capture one of these singular experiences in the studio. Nine months pregnant with their baby, Jacqueline’s water actually broke while recording her overdubs for the track. Once her synth parts were duly completed, they called the midwife.
Named after an imaginary paint colour created by a neural network (it’s the same banal beige featured on the cassette’s J-card), STARGOON began as a collaboration between ambient droner Heraclitus Akimbo (aka sound archivist at theMechanical Forest Sound blog, Joe Strutt) and Moonwood drummer, Luca Capone (who also records sound-collages as Radio Samson di Maria). On this 20-minute track, cobbled together from an hour’s worth of improvisations, they’re joined by Moonwood guitarist Jakob Rehlinger on bass who also recorded the session. Like the name STARGOON itself, “Bylfgoam Glosd” is taken from Janelle Shane’s AI’s list of paint names.
This year we released Eiyn Sof‘s acid-folk tour de force Meadow Thrum on CD. It quickly sold out and we were pretty happy about that. But over the following months the nagging feeling that the album is too good to not be in print got to be overwhelming. Thus this new deluxe reissue was born. Limited to 50 copies, it comes in a special printed envelope with a full colour insert card.
You can order it HERE. ($6.00 CAD + regional shipping)
“… an album pitched equidistant from full-out folk and mind-melting psychedelia. Meadow Thrum is a consistently riveting, occasionally confounding collection of escapist sounds and musical textures. File Meadow Thrum next to the most verdant and lush folk records or the most transcendent of alternative records in your collection; Eiyn Sof sits comfortably in both worlds.” ~ Dominionated
Toronto’s electronic/post-punk outfit SEMEN PRIEST return with a reinvigorated sound on Pink Skyline thanks to production by KING PONG DUB SYSTEM. The Etobicoke producer cut the tempos of the tracks they’d be working on by half, creating a chilled-out environment for their menacing vocals a discordant guitars to take root.
Features the single ‘Police, Thieves & Private Armies’ — a mash-up cover of Junior Murvin’s ‘Police & Thieves’ and Vivien Goldman’s ‘Private Armies’.
Artist: BEARD CLOSET Album: Deadly Force Format: Cassette. C30, real-time dubbed, hand stamped shells. Styles: Drone, noise, experimental guitar, noise-ambient RIYL: Thurston Moore, Keiji Haino, Alan Licht, Sunn(((O))), Eno records run through a distortion pedal
We’re honored to issue Toronto experimental guitar and electronics artist, Beard Closet‘s wordless (but not silent) scream of rage and frustration at the continuing culture of murder and brutality in North America’s police forces.
From the “Bored Nation” south side of Etobicoke (the north side gave us everyone’s favourite “crack mayor” Rob Ford and his Trump-esque “Ford Nation”), comes 40 minutes of head-and-booty stimulating electro-dub. An ode to Muhammad Ali, a Kim Deal-sampling homage to the mix-tape era, and a disco elegy to the Pulse nightclub mix with the bass sounds of life on the Lakeshore, best-side suburb of the 6ix.
Active since 2006,HEAVY MOON is the instrumental space fuzz rock solo jam of Jakob Rehlinger, guitarist of psychedelic space-rockers MOONWOOD. On every #MoonMonday leading up to this release, Rehlinger has uploaded each of the previous six Heavy Moon albums to the Heavy Moon Bandcamp site.
This seventh Heavy Moon album is a collection of cosmic instrumental space rocks stolen from the planets Hawkwind, Floyd and Harmonia.
Available as three unique formats:
Cassette has exclusive cross-faded collage mixes of 9 of the tracks.
CD is presented as 10 individual tracks, including the bonus track “Schütteln, klirren und aufrollen”
Digital Download comes with it all! (Both CD and Cassette come with the full download so no one misses anything).
Ever since we started our Bandcamp site as our online shop for ease and convenience, we’ve been meaning to get the older in-print titles that predated the shop up there. Most notably the first few volumes in the Split Tapes Series and Moonwood‘s River Ghosts LP were missing (available on this site, but buried way, way, way down in the store page listings where people fear to tread).
Also note the prices are in CAD, so with the plummeting Canadian dollar (at time of posting this) being at a mere 68 cents on the American dollar (or €0.63) you might want to take advantage of our economic collapse and score some deals.
In addition, some out-of-stock items are now back in-stock having retaken possession of some stock from a downsizing/relocating distro, so if you thought you missed out on something, maybe you didn’t!