Limited-run white CDr, hand stamped, numbered, in chipboard wallets with coloured decals.
Styles: Sound collage, ambient, musique concrete, electro-acoustic, electronica, drone
Similarities: FSOL’s abstract side, The Orb minus the beats, the Asphodel label’s Sombient compilation series, the spawn of Luc Ferarri and the Internet.
ORDER: $6.00 CAD (+ regional shipping rates)
International Debris is the musical project of Ross Baker, a genderqueer musician from the UK. Their music has encompassed various styles over various aliases, but generally falls into the category of sound collage, tying together acoustic and electronic instruments with field recordings and samples. Baker refers to their sound as ‘horizon music’, signifying a recurring theme of open space and a fascination with that which we only know from a distance.
The immersive sound-experience Exteriors was created over the years 2002 – 2018. While recording numerous albums during those years, Baker recorded a number of sound collages which didn’t fit in those collections. Over time, from these orphaned pieces, a cohesive album began to form organically.
“Exteriors is an album I have been considering making for many years together, but never came together. Much of my music is about natural or surreal environments, but I have always wanted to create an album about an everyday town situation. This album compiles and reworks various attempts at creating this soundscape from the past fifteen or so years.”
The culmination of years of time spent in the studio, BABEL presents four complete albums released on two 2xCD sets. The four volumes of kosmische drones and noise-jazz improvisation explore similar themes but follow divergent psychedelic paths to adjacent destinations. The four-disc cycle forms a cohesive whole while each volume stands own as a thematically contained album.
Limited edition, numbered, individually hand-stamped discs, chipboard wallets. $9.99 (CAD) + regional shipping each. Click titles below to purchase.
Recorded 2014-2015. Kosmische drones, no-wave jazz, fake gamelan and psychedelic-folk improvisation.
Recorded 2015-2016. Synths pulse and drone under plaintive reeds, guitars and psychedelic bells.