We’re very excited to announce the 2nd run of Mad/Mod‘s debut album Neurinomes. This numbered edition of 25 copies differs from the sold out first edition in that the cover image is indigo instead of magenta and a typo in the liner notes has been corrected. The track listing and audio content remains identical.
Neurinomes (a type of nerve tumor that can affect the inner ear) is the haunting debut by the duo of Montreal-based reed player Marc-Antoine Dagenais (Mad) and guitarist Dominic Marion (Mod).
Shimmering drones and angular melody lines dance and collapse against hazy ambiance and fractured glass surfaces; ecstatic meditations give way to deep noir melancholy and fiery avant expressionism.
The album revolves around improvisation, rewriting of improvised sounds, resonant mappings, organic acousmatic, combination tones; a process one may call recomposition, using recordings of spontaneous interactions as draft mapping, free to be reinvestigated and refined. All timbers were produced solely by miking acoustic sources. With the exception of a wine glass slowed down to a low drone, these soundscapes remain faithful to original acoustic production.
The duo has developed their own vocabulary through research of improvised music based on harmonic specters, thoroughly experimenting in the fields of peculiar textures and frictions that their instruments can provide. Marion often, but not always, treats his guitar signal through a certain range of effects, working a specter of textures, going from delicate jazzy chords to screaming organ like sounds. Blending with those amplified sounds, Dagenais uses different extended techniques (trumpet sounds, multiphonics, screams, circular breathing and others) on the saxophone and flutes as well as different parts of the instruments to produce unusual soundscapes.
File under: Chamber music, post-rock, free-jazz, late-20th century minimalism, soundscape, ambient expressionism, drone, harmonic resonance